诱饵
类型：剧情 / 地区：英国 / 年份：2019
主演：西蒙·谢泼德,特里斯坦·斯特罗克,Mary,Woodvine,艾萨克·伍德文,爱德华·罗
导演：马克·詹金
更新：2025-08-15
简介：
康沃尔渔村的(✒)风景(jǐng )( )明(míng )信片田(tián )( )园诗
康沃尔渔村的(✒)风景(jǐng )(🥇)明(míng )信片田(tián )(🐌)园诗误(🌰)导了人们。虽(suī )然过(🕰)去钓鱼是(shì )一(🔧)种(zhǒng )养家糊口的方(🌰)式(shì )，但如今富有(yǒu )的伦敦游客(kè )纷(⏬)纷下山(❣)，取代了当地(🚤)人，当(dāng )(🐿)地人的生计因此受(shòu )(🎡)到威胁。史蒂(✳)文(wén )和马丁(dīng )兄(xiōng )弟的关系也很(hěn )紧张。马(😚)丁是一个没有船(chuán )的渔夫，因为史蒂(🔊)文开(⏺)始用它来为一(🔩)整天的游客提(⏯)供更赚钱(❔)的(de )旅游。他们卖掉了(💻)这(zhè )座家庭别墅，现在(zài )看来(🌞)，最后(👓)一场(chǎng )(🙉)战(💪)斗是和新主人在海边的停车(chē )位上展开。然而(ér )，情况(🎋)很(🥕)快就(jiù )失控了，而不(bú )仅仅是(shì )因为车(❕)轮夹钳。Bait是一(yī )种黑(hēi )白，手工制作，16毫米(mǐ )胶片制作的电影。许(💯)多关(🔈)于(🏒)鱼、网、(🐡)龙虾、长靴(xuē )、绳结(jié )和(hé )渔篮(lán )的特写镜头(♌)让人(🥅)想起了蒙太奇景(📐)点的理(lǐ )论(lùn )。对(duì )不(🆙)同社(shè )会(huì )阶层(céng )的描述——可(🎐)以(🍁)说(shuō )是(shì )阶级关系——也(yě )让人想起了英国电影中的(📬)社会现实主(zhǔ )(😉)义(yì )传统。然而(❄)，最(zuì )重要的是，在(🐈)影像中不同层次的电影历史(👼)参(cān )(😲)考文献(xiàn )之(zhī )(✒)下(xià )，当前许多政(🕵)治关联正(🐇)在(zài )等待(🔍)被发现。The picture-postcard idyll of the Cornwall fishing village is misleading. While fishing used to be a way of supporting oneself, wealthy London tourists have now descended and are displacing the locals, whose livelihood is thus threatened. The relationship between brothers Steven and Martin is also strained. Martin is a fisherman without a boat, since Steven started using it for far more lucrative tours for all the day-trippers. They’ve sold the family cottage and now it seems that the final battle to be fought is that with the new owners over the parking space next to the sea. Yet the situation soon gets out of hand, and not just because of the wheel clamp.Bait is a black-and-white film shot on hand-processed 16mm. Numerous close-ups of fish, nets, lobsters, wellington boots, knots and catch baskets bring to mind the theory of a montage of attractions. The depiction of the different social strata – one could speak of class relations –(🌽) is also reminiscent of the tradition of social realism in British cinema. Above all, however, a whole lot of current political relevance is waiting to be discovered beneath the different layers of film historical references contained in the images.
详情
